An Introduction to the Great Casey Donahew Band

If it wasn’t already exciting enough for Pat Green to be coming to town other than for Texas Independence Day, imagine how delighted I was to discover that Casey Donahew Band would be opening. Pat Green is one of the finest Texas country artists out there today and it would be hard to say enough great things about him and his music, but I’m almost as excited to see Casey Donahew Band. PFG has been an easy sell to some of my less country-musically inclined friends and readers who may not be as familiar with CDB so I thought I’d share a bit about why I’m so excited to see them (for more specific thoughts on their most recent album see here).

Casey Donahew Band’s corpus of records is relatively small – and their first album was only released in 2006 – but they have enough strong material on those 6 studio albums to play at least 3 awesome concerts without repeating a thing. For me the overriding themes of CDB are energy, authenticity, originality and humor. Right from the first track of their first album, Stockyards on Lost Days, CDB made it clear that they are Texas country through and through and here to rock. Stockyards, like a lot of their material, is Texas country-rock, with the twang of CD’s voice and plenty of fiddle plus lots of drums and electric guitar, with a foundation of original lyrics and performed with contagious energy and authentic emotion.

One of the things I find so enjoyable about CDB is their originality and sense of humor. Songs like White Trash Story, Double-Wide Dream, White Trash Story II and White Trash Bay blend portraits of original characters and Americana with funny juxtapositions that say yeah this is real life but we can laugh at it and ourselves too. Or CDB can turn a heartbreak song into something rollicking and fun like Go to Hell or just be funny for fun’s sake like Loser. The lyrical content of their songs is, in a very fun way, all over the map. It’s unexpected to hear an up tempo song about a woman shooting her husband with a shotgun but that’s what we get with Twelve Gauge.

Another highlight is the development of CDB’s ballad singing and composition skills across the arc of their albums. As compared to Lost Days which features significantly less variety, CDB opened up in their self-title album particularly in terms of tempo and tone, including a number of slower-paced and mid-tempo songs with a more obviously melancholy tone in addition to songs featuring unrestrained lyrical and instrumental energy. This same development continued on Moving On – the overriding theme of which was heartbreak love songs (my favorites being Broken and Breaks My Heart, though my sense is more people prefer Angel) – and through their later albums.

The energy that Casey Donahew Band brings to the table is more complex that just writing upbeat party anthems, though they get slightly closer to that in their latest album. This energy and their lyrical originality shines through in songs like Stockyards and One Star Flag about Texas, cowboy songs like No Doubt and That’s Why We Ride, love songs like Whiskey Baby and Lovin’ Out of Control and hard times songs like Homecoming Queen and Moving On. In particular I love Casey Donahew’s heartbreak love songs like Sorry, Next Time, Running Through My Head, Where the Rain Can’t Find Me, Runaway Train and California. There are no doubt great songs still to be written about breaking up and crying on a barstool, but one of CDB’s particular skills is mixing up the anger, hurt, despair, revenge, etc. with a little humor and considerable insight and empathy into up tempo songs the listener can have fun with while still considering, and actually I think more fully experiencing, the underlying emotions.

Hope to see everyone at Irving Plaza in New York City on September 9 for this show – should be a great one!

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