Live Concerts

An Open Letter to Pat Green: Mr. Pat F. Green, Any Chance You’ll Play My Wedding?

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Mr. Green,

We go way back.  Not quite way back Texas, but at least way back D.C.  When I was in college, I saw you play for the first time live in DC – I think it was the 9:30 club.  At the time that seemed to be the farthest north you were playing, and I must have drove down from college in NH to see the show.  Reverse engineering the timeline that must have been 2008/2009 – I recall you introducing Let Me, which I think hadn’t been released at the time.  At that first show you signed my Mets hat and a PFG tee.  Can share full story at later date, but that Mets hat was subsequently signed by a former US ambassador to the UN.  I told him he was in good company.  I think he laughed.  I did not.  I lost that hat on a fishing trip.  See shirt in picture below – which you graciously resigned, after the first sig basically came off in the wash.

I think your music is very good.  My humble country music blog has probably devoted more space to you than any other country artist.  I’ve been to a bunch of your concerts, including a bunch of Texas Independence Day shows in NYC.  Definitely not as many shows as some or probably most of your fans from Texas, but I suspect I’m super high in the rankings of number of Pat Green shows attended by a person who comes from Connecticut.  And almost certainly in top 5 in enthusiasm.  Here we are below having a great time!

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Anyway, here’s a couple links to posts about you: one, two, three, four.

So, I’m getting married late July 2020 in Philadelphia.  Not just because I’m sure she’ll read this post, my fiancé is absolutely wonderful.  I’m very Lucky. (Get it?!)  I understand you’ve got a ton going on: family, friends, new material, tours, etc – but it would be incredibly awesome if you were able to stop by to maybe have a couple bourbons and sing a couple songs.  (Don’t want to get bogged down in details here but see FN on logistics).  Having one of my very favorite singer-songwriters celebrating with our friends and family would really be a great bonus on top of what will already be an amazing day.  See comment on absolutely wonderful fiancé above.  Most of our friends are a nice combo of fun and reasonable, so should be a solid atmosphere.  My friend Greg would I’m sure just be going crazy with excitement, but I promise we’ll keep him in check.

I’ve only got this one country music blog, and I’m not asking any other country singers about this.  Full disclosure, if Casey Donahew Band or Cody Johnson were like “hey, we heard about your wedding from your blog post letter to Pat, can we get in on that?” I’d be pretty excited.  But I’d have to say, “I don’t know, I asked Pat first, let me check with him”.  But, you know, let’s cross that bridge if we get to it.

Anyway, thanks for reading. Hope to hear from you!

FN on logistics: I think we could figure out the logistics.  Just FYI, we’ll be having a band, and not looking for any sort of concert lift on your end (unless you’re into that).  Was envisioning more of a casual share a drink or two, sing a bit, hang out a bit sort of thing.

TX Independence Day NYC 2018

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On the heels of a somewhat lackluster performance in November and sandwiched in between CBD and PFG, I didn’t expect Eli Young Band to be the highlight of the show, but they absolutely crushed it! Vocals were on point, energy and enthusiasm levels very high. Fingerprints songs were sprinkled in as were a couple of covers, but right from the start of their set with Jet Black & Jealous and When It Rains this felt like the EYB music that I fell in love with years ago and a reminder of just how talented this band is. Crowd seemed more into Saltwater Gospel, Drunk Last Night and the cover of Come Together – but I preferred Always the Love Songs, Guinevere and their cover of Learning to Fly which surprisingly no one in the crowd seemed to know. I thought the renditions of Dust (a good song, but not one of my favorites of theirs) and Even If It Breaks Your Heart were especially strong – lots of emotion and energy in the vocals.

EYB 3-9-18

For some reason the show was scheduled for a Friday night which prevented a number of my friends from making it out, but we managed to squeeze in a few pre-concert drinks and made it to Terminal 5 right for the start of Casey Donahew Band’s set, though unfortunately missed Wade Bowen. CBD, as usual, was pretty electric – I haven’t yet seen them play a show where it didn’t seem like they were having a great time rocking out and where it didn’t feel like they’d rather be up on that stage singing their hearts out than anywhere else in the world. Set list was strong, and it seemed like the band was particularly into it with Double-Wide Dream, 12 Gauge and Stockyards. Newer songs from All Night Party were woven seamlessly into the set, and I particularly enjoyed Kiss Me – which is even better live, with a little more grit and rock and roll – and Country Song – a song just constitutionally suited to be played in concert.

Casey Donahew Band 3-9-18

Pat Green, too, seemed very much at home and happy to be playing in NYC. In addition to his usual concert set, it felt like a bonus to get to hear a few songs which don’t seem to be concert mainstays like Somewhere Between Texas and Mexico and Here We Go, and Texas On My Mind which I’ll always have a special place for even if not written by PFG since this was the first Green recording I ever heard. One of my buddies who couldn’t make the show this year would have been disappointed that neither Girls From Texas nor Down to the River made the set list, the latter of course never making it despite our best efforts at encouragement. Maybe the surprise stand out for me this year was While I Was Away. A number of the songs on Home have been growing on me since I first heard the album, and even if Green didn’t pen this one his delivery rings so true that it’s hard not to be moved by the song.

Pat Green 3-9-18

Awesome show this year, and hats off as always to these Texas artists willing to share a little country music with us folks in NYC.

Eli Young Band @ Brooklyn Bowl

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Country music in NYC is always a treat and I’d been looking forward to seeing EYB at this show for a long time. The last few times I’ve seen them they opened for different pop country superstars – I want to say Kenny & Tim at Gillette Stadium and then Kenny and ZBB at the Georgia Dome. Before that I’d seen them as part of the Texas Independence Day line-up in NYC – pre-Life at Best and Crazy Girl – but I don’t think I’ve ever had the chance to see them headline.

Brooklyn Bowl turns out to be an absolutely awesome live music venue, and it was great to get to celebrate my sister’s birthday over some country. For about the first half of the concert we were bowling, which turned out to be a mixed blessing since while bowling is up there with country music among my favorite things, it was tough to focus on my pin action and give EYB the attention they deserve at the same time.

EYB 11-12-17

The set list, comprised of EYB’s “oldies”, stuff from their new album and a bunch of covers, felt unusual. In terms of old stuff, I couldn’t have asked for a much better song list – Jet Black & Jealous, Skeletons, Small Town Kid and Guinevere are some of my very favorites. Interestingly their set list had When It Rains on it too (one of my enduring favorites), but Skeletons was also penciled in and their sound guy said it was an EYB game time decision which of the two to play but that they wouldn’t play both. This old stuff is what I came for. Especially with this band, there are so many more classic songs I wish they’d have played – Radio Waves, Get in the Car and Drive, How Should I Know, So Close Now, Oklahoma Girl.

EYB Set List 11-12-17

The new stuff, and by this I mean the Fingerprints songs, was difficult for me to appreciate since my familiarity with most of these songs (save Saltwater Gospel) was generally limited to my having listened to the album on Spotify a couple times over the preceding few days. Maybe it was this lack of familiarity that made the show feel a bit disjointed, rather than not liking the new songs. I suspect the former since EYB has such a solid track record of material and my sister likes the new album.

And then there were a whole bunch of covers which I didn’t quite understand, especially given how much gold of their own EYB has. When they first played David Lee Murphy’s Dust on the Bottle I said OK because that’s a great song, but they went on to play a strange mix of too many other covers including Come Together and No Woman No Cry mixed in with Small Town Kid. I definitely appreciate musical variety and it can be fun to see artists performing others’ work especially if it seems like they are really having fun with the material, but I didn’t love how the chosen songs were worked into and meshed with the set here.

EYB 2 11-12-17

All in all a fantastic concert. Eli Young Band is still one of the best, and seeing them live was a lot of fun. As a side note, EYB will be playing at 2018 TID in NYC – a welcome return to the event after an absence of a few years!

Turnpike Troubadours in NYC!

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The Turnpike Troubadours are one of my favorite groups making music these days and I was very excited to see them play in New York City a couple weeks ago. At a Halloween party shortly after the concert, one fella was dressed as a cowboy and sure enough it turned out that he liked country music, but although he’d recently been to an Eric Church concert he’d never heard of the Turnpike Troubadours. Which is about right since even though both definitely fall under the larger country music umbrella, they’re not the same kind of music.

Turnpike Troubadours Full Band 10-23-17

In trying to pitch this concert to a couple of my friends, I described the group as a cross between Zac Brown Band and Mumford & Sons. And thinking about that description in retrospect, more in analysis mode than selling mode, I’d also throw in a dash of Townes Van Zandt, high praise to be sure. To encapsulate the thought in non-musical terms, the beers of choice at the venue were Shiner, Brooklyn Lager and Budweiser, with the bars running out of Shiner pretty early on in the night. There were plenty of hipster glasses, flannels and even a fedora or two in the crowd, but also some bros in white tees and tight jeans, and then of course some country band tees and boots too.

Evan Felker 10-23-17

Without reference to any kind of technical definition of the sub-genre if there is one, I’d call this music Americana. TT’s instrumentals cover the full range of traditional country sounds – banjo, harmonic, fiddle and pedal-steel guitar – generously and effectively deployed to further the mood and tone of songs’ lyrics. And it’s the lyrics that really draw me to the Turnpike Troubadours. Their songs are the opposite of so many songs out there with cookie-cutter formulas: characters and settings that get caricatured, references to products and cities that seem like a music executive has dictated and plot lines taken from a stock catalogue. Their songs have real stories to tell with characters and plot lines painted from real life that are original and often flawed or imperfect. Their songs are overflowing with lyrical content and make me feel as though TT, and Evan Felker in particular, will never run out of material and stories to tell.

Turnpike Troubadours Full Band 2 10-23-17

More on the TTs and their great songs (and new album) soon, but wanted to share a bit on this great concert in NYC!

Pat Green & Casey Donahew Live in NYC

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Great performances both by Casey Donahew Band and Pat Green last night at Irving Plaza.

Night started with Casey Donahew Band:

CDB

Then thanks to my friend Greg, a quick photo with the man himself, Pat F. Green who was nice enough to refresh his signature on my old-style Pat Green tee:

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As usual, Pat was rocking out hard:

Green

A while back I’d suggested a set list for Pat for the Texas Independence Day concert. There are some tweaks I’d make to that list for non-TID show, but the concert last night stacked up well against my list. It was particularly great to hear Here We Go and Texas On My Mind. Home, while not on my list, has been growing on me lately and Green’s live performance really did justice to the song’s lyrics. I missed hearing Lucky – a very strong choice in Green’s concert repertoire and Whiskey – just an overall fantastic and under-rated song.

Green band

Some great NYC concerts coming up real soon – stay tuned for more about Turnpike Troubadours and Eli Young Band!

 

An Introduction to the Great Casey Donahew Band

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If it wasn’t already exciting enough for Pat Green to be coming to town other than for Texas Independence Day, imagine how delighted I was to discover that Casey Donahew Band would be opening. Pat Green is one of the finest Texas country artists out there today and it would be hard to say enough great things about him and his music, but I’m almost as excited to see Casey Donahew Band. PFG has been an easy sell to some of my less country-musically inclined friends and readers who may not be as familiar with CDB so I thought I’d share a bit about why I’m so excited to see them (for more specific thoughts on their most recent album see here).

Casey Donahew Band’s corpus of records is relatively small – and their first album was only released in 2006 – but they have enough strong material on those 6 studio albums to play at least 3 awesome concerts without repeating a thing. For me the overriding themes of CDB are energy, authenticity, originality and humor. Right from the first track of their first album, Stockyards on Lost Days, CDB made it clear that they are Texas country through and through and here to rock. Stockyards, like a lot of their material, is Texas country-rock, with the twang of CD’s voice and plenty of fiddle plus lots of drums and electric guitar, with a foundation of original lyrics and performed with contagious energy and authentic emotion.

One of the things I find so enjoyable about CDB is their originality and sense of humor. Songs like White Trash Story, Double-Wide Dream, White Trash Story II and White Trash Bay blend portraits of original characters and Americana with funny juxtapositions that say yeah this is real life but we can laugh at it and ourselves too. Or CDB can turn a heartbreak song into something rollicking and fun like Go to Hell or just be funny for fun’s sake like Loser. The lyrical content of their songs is, in a very fun way, all over the map. It’s unexpected to hear an up tempo song about a woman shooting her husband with a shotgun but that’s what we get with Twelve Gauge.

Another highlight is the development of CDB’s ballad singing and composition skills across the arc of their albums. As compared to Lost Days which features significantly less variety, CDB opened up in their self-title album particularly in terms of tempo and tone, including a number of slower-paced and mid-tempo songs with a more obviously melancholy tone in addition to songs featuring unrestrained lyrical and instrumental energy. This same development continued on Moving On – the overriding theme of which was heartbreak love songs (my favorites being Broken and Breaks My Heart, though my sense is more people prefer Angel) – and through their later albums.

The energy that Casey Donahew Band brings to the table is more complex that just writing upbeat party anthems, though they get slightly closer to that in their latest album. This energy and their lyrical originality shines through in songs like Stockyards and One Star Flag about Texas, cowboy songs like No Doubt and That’s Why We Ride, love songs like Whiskey Baby and Lovin’ Out of Control and hard times songs like Homecoming Queen and Moving On. In particular I love Casey Donahew’s heartbreak love songs like Sorry, Next Time, Running Through My Head, Where the Rain Can’t Find Me, Runaway Train and California. There are no doubt great songs still to be written about breaking up and crying on a barstool, but one of CDB’s particular skills is mixing up the anger, hurt, despair, revenge, etc. with a little humor and considerable insight and empathy into up tempo songs the listener can have fun with while still considering, and actually I think more fully experiencing, the underlying emotions.

Hope to see everyone at Irving Plaza in New York City on September 9 for this show – should be a great one!

Suggested Set List for Pat Green’s NYC Texas Independence Day Concert

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I’ve been fortunate enough to make it to Texas Independence Day at Terminal 5 in New York City each of the past 6 or 7 years. Minus one lost year when I was in Mississippi and one of those years attending only one of the two shows – that year TID being broken up into two shows. Pat Green’s missed at least one of those years too, so I figure Pat and I are even. In anticipation of this year’s show the date of which I don’t think has been announced, I’d like to suggest a set list just in case PFG happens to stumble across this post. (And if JAB, Randy Rogers Band, Casey Donahew Band or whoever else may also be playing so requests I’d be happy to put together set lists for them as well.) To be clear, this list doesn’t represent the 15 or so songs that I’d most like to hear. Choosing only among my favorites, which are hard to narrow down to 15 anyway, probably wouldn’t make for the best concert. Rather, I’ve tried to consider the following factors: (1) the songs Green seems to like to play in concert generally and at NYC TID shows in the past specifically, (2) the venue, (3) the typical NYC audience likely to turn out, (4) balance among the types and tempos of songs, (5) sampling across Green’s albums, (6) danceability, (7) singability and (8) the nature of the event.

1. Here We Go
2. Cannonball
3. Baby Doll
4. Girls From Texas

I think Here We Go is a strong choice to lead off the concert. It’s not only a nice chronological bookend being the first song off Green’s first album, it’s also a great rev up song to get the crowd going and a signal that, yeah, this is going to be a strong concert where we hear at least some unexpected old greats. This song will flow well into the similarly up-tempo Cannonball and Baby Doll, the latter of which is a good segue into Girls From Texas (which I don’t particularly care for, but does take us to Green’s latest album Home and seems to be a crowd pleaser particularly at a Texas-centric events like this).

5. Texas On My Mind
6. Whiskey
7. Don’t Break My Heart Again
8. Life Good as it Can Be

I really like Texas On My Mind and I think it’s appropriate given the nature of the event and a solid Texas back-to-back after GFT. This is only a semi-regular Green concert offering at least up north, so if Green wanted to substitute a Texas song he wrote I’d be OK with I Like Texas instead. Having been reminded that PFG can rock out and that he’s true Texas Country (and anyway we’re all throwing up horns tonight), I think it’s then time to slow things down with Whiskey (underrated) and then into an older and newer slow song. If time allowed and we can get in an extra song I’d add Threadbare Gypsy Soul in after Whiskey (Whiskey in my opinion is a better choice than Galleywinter which Green seems to like to play), perhaps with Casey Donahew coming out to sing Willie’s part of the duet. Although I like the juxtaposition of Life and Wave (see next grouping), I think Day One could be substituted here for Life although to go along with that sub I’d also replace Don’t Break with Temporary Angel.

9. Wave on Wave
10. Carry On
11. All The Good Things Fade Away
12. Just Fine
13. Southbound 35
14. Three Days

There’s nothing to pick up the tempo again better than Wave on Wave, particularly since this is the one song we can count on most of even the New Yorkers to be able to sing along to seamlessly. And I think playing this song earlier in the show clarifies (if there was any doubt) that PFG is more than a one-trick pony and avoids the predictability of waiting for this on the encore. The rest of the grouping represents core Green offerings both in terms of concert playing frequency and caliber of content, and I’d be particularly pleased with Southbound and Three Days ending the concert set proper. This is a nice chunk of vintage PFG songs that loyalists will be happy to sing along to but that newcomers would also enjoy. Reversing the order of the last two songs does have some merit since Southbound is a bit more up tempo to close out the show (pre-encore) but I give Three Days the nod because it feels more nostalgic and I think the repetition of the chorus lines allow more people less versed in Green to sing along going into the end of the show.

15. Lucky
16. Take Me Out to a Dancehall

Lucky was also a contender to open up the show (ultimately a Texas song got the call given context) but would make a fine choice to start the encore particularly given the excitable and familiar riffs the song starts with and the awesome lyrics blending patriotism, nostalgia and general optimism. Take Me Out to a Dancehall is probably Green’s most recognizable song besides Wave on Wave, fitting for the venue and an overall very upbeat song but one that ends on a calmer, romantic note appropriate for the end of the show.

In trying to put together this objectively optimal set list I think I’ve been pretty impartial. Personally I’d love to hear Rusty Old American Dream – which I’ve never been able to hear in concert and think is a sorely underrated song. I’d also love to hear Poetry and John Wayne and Jesus and George’s Bar is another stellar song omitted here. I’d also be remiss if I didn’t note that there are some absolutely rabid Down to the River fans who will be saddened if this song isn’t played. Plenty of other great PFG songs too, but unfortunately never enough time, and I think the set list I’ve put together would make for a very solid show.

Album Review: All Night Party – Casey Donahew Band

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Casey Donahew Band’s newest album – All Night Party – is strong.

As personal background I’ve been fortunate enough to see Casey Donahew Band at NYC’s Texas Independence Day concert the past couple of years and they’ve been awesome. They – and Randy Rogers Band, who is also strong in concert – have stolen the show with the energy and enthusiasm of their performances.

This album seems to mark a bit of shift in CDB’s approach to more of a mainstream sound, but not a shift that is wholly unwelcome, or maybe if unwelcome is the wrong word, not begrudged and definitely not disappointing. Taken together the album features a diverse blend of party songs and cowboy tunes that showcase themes of love, raisin’ hell and nostalgia, featuring the lyrical originality that for me makes CDB a true standout. This is a Texas country album – and a very good one.

Kiss Me is a song that I could see receiving significant radio play and hitting the Billboard charts. Aside from the Keith Urbanesque intro, this song strikes a great balance of vintage CDB emotion and realness. The lyrics are not overwhelmingly original but the sincerity of the delivery and the intensity of the build up, starting with the bridge into the first chorus and particularly through the second chorus, make this a great song.

Country Song has a catchy chorus with wonderful lyrics that the listener can empathize with, in general and with reference to CDB in particular, along with a nice blend of nostalgia and rowdiness. Each metaphor that CDB employs seems better than the next, “beat up truck on an old dirt road”, “that first kiss when you’re holding on tight/ when two boys love one girl and you know they’re gonna fight”, “high school rebel pretending that he’s strong” in each stanza piling one on top of the other lending credence to the increasingly impassioned chorus where we see CDB performing on stage. Just like a good country song, the metaphors throughout this song, including where we see CDB performing on a stage too small, are imbued with emotional complexity and originality.

College Years is a bit of an empty song in my book – the generic, cliche lyrics fail to summon the nostalgia I think the song intends to evoke to hearken back to college and the inclusion of Love and Theft doesn’t add anything. Kip Moore is fine singer and songwriter, but his name popped into my head in an unflattering capacity when listening to this song, and I was surprised at the coincidence but not the fact of seeing his name on the songwriting credits.

What Cowboys Do is the album’s first cowboy song, a low-tempo ballad that, while not a feature of the album is certainly a solid song, the lyrics and emotion offset well by what sounds like an electric violin, in particular with lyrics like “I’m strong as a freight train and just as steady” allowing Donahew to showcase the kind of smooth, strong vocals that make him a great singer of not only upbeat Texas country rock songs but also emotional ballads.

The album features a number of party songs, including Feels This Right and Going Down Tonight, both upbeat, fun, “I’m not trying to live a love song tonight” kinds of songs. These songs incorporate themes that are prevalent in today’s bro-country movement, but in stark contrast to most bro-country songs when Donahew sings lines like “I like trucks and I love beer”, “I’m looking for a bonfire and some pasture land”, “I’m pouring moonshine shots into Dixie cups”, “I lost my keys and can’t find my phone/ everybody’s passed out so I party alone” we can hop on board because these lines are delivered in an original context that pairs nicely with the simplicity of these lyrics and a sincerity that makes the lyrics believable. Although I don’t think these songs are the best on the album, the blend of popular bro-country themes, Hank Jr. rowdiness and CDB originality make me confident that CDB will find larger commercial success.

That’s Why We Ride, the first song I’d heard off the new album, is a catchy cowboy tune that takes me right back to CDB gold like Stockyards. The lyrics and subject matter of this song perfectly match the tempo, highlighted by some restrained electric guitar that I can see being broken out into its fully glory in concert, creating a powerful, fun and passionate song that just makes me want to get out onto the highway and throw the hammer down. For me this song comes in at #2 on this album between #1 Country Song and #3 White Trash Bay.

Like College Years, I was similarly not surprised to see That Got The Girl was not a Casey Donahew song, the island-inspired sound, easy chorus and simplistic lyrics sound more similar to Kenny Chesney’s more recent albums than a CDB original, but in contrast to College Years this made for fine listening.

Josie Escalido – a nice old timey feel, Texican-inspired song, with thoughtful lyrics

White Trash Bay is wonderfully CDB, very much in the mold of White Trash Story, White Trash Story – II, Double-Wide Dream, etc. This song is infused with the CDB sense of fun and humor that shines through so strongly in Donahew’s original lyrics. It’s exactly songs like this that serve as a reminder – there are only a handful of artists on the same level as CDB in terms of creativity. This feel-good song will enter the CDB pantheon of great white trash-themed songs.