One of the sub-types of Love songs that I really like are what I think about as “heartbeat love songs”. The connection between the heart and love is pretty obvious, and too many songs to name use broken hearts, heavy hearts, full hearts, etc as metaphors for feelings of love both good and bad, including at least two songs I’m familiar with actually called “Heartbeat” (a Chris Young-recorded song and Carrie Underwood co-written and recorded song). But the type of song I’m thinking about is where the rhythms and basslines of the song create a heartbeat sound that jives with the lyrics (and instrumentals) of love in the song.
Conway Twitty and George Strait are two of the masters of these types of songs. I’d Love to Lay You Down is a good Twitty example. The heartbeat rhythm is so prominent, particularly in the choruses, and I like the way it comes to a halt between stanzas almost as if the heart is no longer beating when Twitty is not professing his love. And it also effectively comes to a crawl when Twitty, a bit ominously, sings “when a whole lot of Decembers are showing in your face/ your auburn hair has faded and silver takes its place” but then comes back full force as the next set of lyrics start in “you’ll be just as lovely and I’ll still be around/ and if I can I know that I’d still love to lay you down” – the heartbeat rhythm coupling with the lyrics to affirm that the narrator’s love will still be there.
Maybe my favorite example of this type of song from Strait is Love Without End, Amen. The song showcases a couple different types of love: father and narrator as son, narrator as father and son and God as father and narrator as son. In each verse getting into a fight at school, trying a father’s patience and leading an imperfect life cause the listener to question whether love would triumph in that circumstance and the bassline becomes less prominent when the question is posed. Then when the chorus comes in the heartbeat rhythm picks back up affirming the triumph of love as the lyrics do the same. Two other nice examples are Strait’s Ocean Front Property and Fool Hearted Memory, in the later of which the heartbeat bassline is offset by an almost crying fiddle (and in the former some steel guitar), because of course these are hard times, heart break love songs. When Did You Stop Loving Me is another great, Strait heartbreak, heartbeat love song.
Plenty of other artists and songs get in on the heartbeat action, and most do so in a less obvious way where the heartbeat bassline is not quite so front and center. Alabama and Randy Travis are a couple more of my favorites. For instance, Travis’ Deeper Than the Holler is a wonderful song where the country boy narrator sings about the strength of his love, comparing it metaphorically to all of the country boy things he knows (“higher than the pine trees growin’ tall upon the hill”, “purer than the snowflakes that fall in late December”, etc). Behind these sweet lyrics, kicking in with particular strength in the choruses which are the parts of the song where Travis is really expressing his love, is the heartbeat bassline.
Somewhere there’s got to be an evolutionary biology study that tells us how of course we find the heartbeat rhythm comforting and associate it with love (listening to our own all day, mother clutching a kid close to show affection or protect, one lover putting their head on their mate’s chest, etc). But whatever the reason, when country songs combine this back beat with lyrics and instrumentals that team up to sing out the sub-themes of the type of love the song’s dealing with – heartbreak, nostalgic love, family love, romantic love – we get some songs that I think are really moving.